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DI AKTORIN |
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Jacqueline
Andersen (SADIE) has most recently been seen as Mary in the newly
composed chamber opera, Death of the Hired Man at Goat Hall in
S.F. She earned her B.A. and M.A. in Music from CSUH where she studied
opera. Favorite opera roles have included Antonia in Tales of Hoffman,
Mabel in Pirates of Penzance, and Adele in Die Fledermaus.
Focusing primarily on musical theatre lately, she has recently performed
as Amalia in She Loves Me and Jenny in Company, both with
the Masquers Theatre Co., and as Rosabella in The Most Happy
Fella with the Novato Theater Company. She has also played Vi Moore
in Footloose with Contra Costa Civic Theatre, and been in the
Fantasticks as the Featured Dancer. Other shows include Showboat
with The Lamplighters, Oliver with the Willows Theatre, Jekyll
and Hyde with Contra Costa Civic Theatre. She sings with the Opera
Piccola carolers each season and is the long-time soloist at Northbrae
Community Church . Ms. Andersen teaches piano and voice out of her home
in the East Bay where she lives with her three awesome children. |
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Scott
Alexander Ayres (ARON) played the father in Oasis and
Mr. Bishop in Polyxena in Orbit, part of Cerberus Barking, with No
Nude Men Productions at the Exit Theater. Scott played multiple male
roles in Elvis in Space II: Elvis Rex, part of the 2006 San
Francisco Fringe Festival, at The Exit Theater. Scott’s past roles
include Goldsmith in Old Man in the Cave, part of The Dark Room’s
Twilight Zone- the Plays Festival, Season III. He was Ben Korman in
The New Conservatory Theater Center’s production of Theater
District. He has also been seen as Mike Dillard in Actor’s Ensemble
of Berkeley’s production of Working, the Doctor in Perchance to
Dream, in The Dark Room’s Twilight Zone- the Plays Festival, Season
II, and was an ensemble member in Open Stage Repertory Theatre’s
production of Tomfoolery. Scott is delighted to be a part of
A
Shirtwaist Tale.
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C. Conrad Cady (MORRIS) has played in two
other Judith Offer shows before: He was the lecherous Jack Az in two
separate runs of Casino!, and he played Sylvester, the devil, in
Devil's Due. He is a frequent actor in local community theatres, and
lives in Castro Valley with his wife and two daughters. At his "day
job" he is a Managing Partner at a computer consulting firm. Conrad
is an aficionado of Alexandre Dumas (the author of The Three
Musketeers) and runs the most popular English-language web site on
the subject (http://cadytech.com/). |
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Katie Carney (Choreographer,
PEARL) is delighted to be working with Judith and
Anniversary Productions for the 4th time. She
appeared, choreographed (twice), and directed (once) Judith's
original Oakland-based musical Casino; and last summer
originated the role of Sydney Devil in Devil's Due at the
Front Street Theater in Danville . Katie's stage career began
in 5th grade, when she played "The Tree" in the school Arbor Day
Festival. She couldn't understand why no one wanted the tree
to dance. Something about "roots." Where's the artistic
freedom?? After college in Baltimore, Katie was a principal
dancer with the Johns Hopkins Dance Companay and created fabulous
roles like "Frog", "Bat", and "SeaHorse." She was bitten by
the theater bug (and leaped into the realm of mammals) with a
movement role as a horse in Equus. She finally became
human when she starred in John Patrick Shanley's Psycopathia
Sexualis and the off-Broadway premiere of David Hare's The
Blue Room. Moving to Los Angeles, Katie's film/TV credits
(any of which you can see if you stop the VCR at EXACTLY the right
moment) include
Homicide: Life on the Street; Terminator 3: Sea
Biscuit; and Sex and the City. Now a happy
northern CA transplant, she has acted/danced/sung frequently with
Fremont's Stage One, and worked behind the scenes with SF's renowned
Brava Theater and A.C.T. She thanks Judith for the 'promotion'
from stalking the underworld to walking the streets of Lower East
Side Manhattan (or is that the same thing??) -- and if anyone knows
the casting director for the new Sex and The City movie,
Katie and her enormous designer shoe collection would appreciate an
introduction. (Check out her blog at
www.tiaratuesday.blogspot.com) Enjoy!
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Susan
Cohn (ALVA BELMONT) is new to the formal stage. A estate planning,
business and intellectual property attorney, Susan's prior dramatic
experience includes successful complex litigation and raising two
delightful teenaged boys. Susan dedicates this performance to her
beloved paternal grandmother who stitched at the Triangle Waist Factory
before coming to The Promised Land of California. |
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Paulette
Eisen (ZLATA) grew up performing Yiddish
songs with her father, and her mother was an ILGWU member. During her
time at Concordia University in Montreal, she appeared in numerous
productions, including her role as Domina in A Funny Thing Happened On
The Way To The Forum, Maisie, in The Boyfriend, and ensemble work in
O
What A Lovely War and America Hurrah. She later performed at the
Whittier Community theater in California. There she was cast as Janet
in Witness For The Prosecution and was part of the ensemble cast for an
original musical called Revue, Revue! Her last role before she was
cast as Zlata in the current production of A Shirtwaist Tale, was as
Golda in the Redondo Beach community Theater’s production of Fiddler On
The Roof. |
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Michael
Fallon (CLANCY), actor, singer, and
musician is a Oakland resident, who has done various community theatre
projects in the bay area. Michael has studied with Marcia Kimmel, voice
coaches Helen Dillworth, and Judy Hubbel. Michael has also participated
in the Musical theatre workshops of Jim Orin and Peggy Gorham. This
summer Michael and his wife Beth and two children, Auguste and Olivia,
have taken up the study of the art of Fencing, with Harold Haynes, at
Alameda's Pacific Fencing Club. Michael is a life long student of
history and a member of Oakland's Painters local #3. Michael believes
most people have forgotten and take for granted the struggles and lives
sacrificed, in the labor movement, so that others can have better lives. |
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Jeremy
Litwin (YITZOCK). Bass/Baritone
Jeremy Litwin is pleased to be a part of this Judith Offer
production. Previous roles include Garvey Preacher in Oakland Opera’s
production of Malcolm X, Usurier in Oakland Opera’s La Belle et la Bete,
Bogdanowitch in Livermore Valley Opera’s production of The Merry Widow, Carrefore in Oakland Opera’s production of
White Darkness, and most
recently participated in Great Moments in American History, an Oakland
Opera Theatre workshop. He has also performed with such prestigious
groups as Festival Opera, Masterworks Chorale, and is currently a member
of the Pacific Mozart Ensemble, under the direction of Lynne
Morrow. Aside from his operatic endeavors, Jeremy is also a
singer/songwriter, and has been performing his original works for over
10 years in the Bay Area and the Pacific Northwest. |
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Mark
O'Neill (O'BRIEN). From community theatre, college plays,
dance performances, along with children's performance and theatre
groups, Mark O'Neill, has done much, except for a musical; and now he
has accomplished that, as well! Mark's theatre skills go from comedic
plays to Shakespeare. Not only in the acting arena, he has also done
sound tech and stage crew on a number of plays. He produced, narrated
and was the talent for a television documentary on the male's role in
birth control responsibility, Things Father Never Told You, which won
one of the earliest of the ACE Award's (Award for Cable-casting
Excellence) for an educational documentary. The first ten years of
Mark's life was in Phoenix, AZ when most of the surrounding areas were
still farm land (he is old!) Then he finished his growing up in San
Francisco (His sixteen year old son might not quite agree on the growing
up part of his life), and has lived primarily in the Bay Area from
Marin, Sonoma, Alameda, Santa Cruz and Contra Costa Counties. |
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Hollywood. |
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DI KLEZMORIM |
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DI ARBEITEN |
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| Anida Weyl (Costumer) comes from a family of tailors. Her Great-Grandfather, Issac Kleinberger, received a patent in June, 1911, for a pair of split pants for women, or what we today might call "cullottes." Anida has been sewing since she was 10 when her stuffed animals demanded proper attire. Her recent costuming endeavors include: Oliver!, Urinetown, the mortals' costumes for A Midsummer Night Dream, The Lion King, and Fiddler on the Roof. She has also assisted in the Basoti Program this Summer. Look for her costumes in the Spring production of StageDoor Conservatory's A Phantom Tollbooth. | ||||||||||||||||||||||||||||||